2018年头脑奥林匹克问题澄清(20181110)

2018年头脑奥林匹克问题澄清

(适用于广州市赛和广东省赛)

Clarifications for Problem No. 2

“Hide in Plain Sight”

Divisions I, II, III & IV

1
October 30, 2018
B8 & 10 – The Creature’s changes and its final appearance (true self):
The required Creature’s final change will result in its true self/actual appearance. It must not reveal its true self/actual appearance until it undergoes the final change in the performance. This means that before and after each required change before the final change it must not appear as its true self/actual appearance.


题目2问题澄清

随机应变 

适合I, II, III 组和IV组

1. 2018年10月30日,B8&10——生物的变化和它的最终外观(真实的自我):需要的生物的最终改变将导致它的真实自我/真实的外观。在演出进行最后的变化之前,它不能透露真实的自我或真实的外表。这意味着,在最终更改之前的每个所需更改之前和之后,它必须不显示为其真实的自我/实际外观。



Clarifications for Problem No. 3

Classics…
Leonardo’s Workshop”

Division I, II, III & IV

1
October 3, 2018
B8c – The recreation of an LDV painting:
The unconventional mediums used to create the likeness of LDV’s painting may produce an uneven, textured surface. However, the recreation must physically appear to be 2-dimensional to the officials and audience from any orientation during the performance.

2
October 30, 2018
B6 – The LDV Character:
Must be portrayed as the actual historical person, Leonardo da Vinci. The character’s appearance is intended to look like the actual historical figure Leonardo Da Vinci.

3
October 30, 2018
B8c – The recreation of an LDV painting:
There are a great deal of paintings attributed all or in part to Leonardo da Vinci. In fact, there are only a relatively few known works of his. Among the many paintings attributed to Leonardo da Vinci are some that are collaborations where other artists are responsible for much of the work and design, and there are many that Leonardo had no hand in creating. We recognize that different sources produce different information so
we are providing a list of acceptable paintings to be recreated for score in D6. Please select on of the paintings by LDV from this list.

4
October 30, 2018
B8d&e – LDV works:
These are not limited to the list of paintings. They may be any design, drawing, sketch, etc attributed to LDV. Please provide documentation for your selection and submit it with your list. This will help keep the competition schedule on time and verify your selection as an LDV work.


题目3问题澄清

古典…莱昂纳多的工作室

适合I, II, III 组和IV组

1. 2018年10月3日

B8c–LDV绘画的再创造:用来创建LDV绘画相似性的非常规介质可能产生不平坦的、纹理化的表面。然而,在演出过程中,无论朝向何方,对官员和观众来说,娱乐活动都必须是二维的。

2. 2018年10月30日

B6——LDV角色:必须被描绘成真实的历史人物,达·芬奇。人物的外貌意在看起来像实际的历史人物达·芬奇。

3. 2018年10月30日

B8c——一个LDV绘画的再现:有大量的绘画被全部或部分地归于达·芬奇。事实上,他的作品中只有很少一部分是已知的。在许多属于达芬奇的绘画作品中,有一些是其他艺术家合作完成的,其中许多是达芬奇没有参与创作的。我们认识到,不同的来源产生不同的信息,所以我们提供一个可接受的绘画名单,以重新创建得分在D6。请从这个列表中选择LDV的绘画作品。

Title

Details

Attribution Status

Painting

Ginevra de' Benci

Oil and tempera on poplar pane

Generally accepted


The Adoration of the Magi(unfinished)

Oil (underpainting) on wood panel

Universally accepted


Saint Jerome in the Wilderness
(
unfinished)

Tempera and oil on walnut panel

Universally accepted


Virgin of the RocksMadonna of the Rocks


(2 versions, both done by Leonardo DaVinci)

Oil on wood panel, transferred to canvas

Paris

version




Portrait of a Musician

Tempera and oil on walnut (?) panel

Generally accepted


Lady with an Ermine

Oil on walnut panel

Generally accepted


The Last Supper

Tempera on gesso, pitch and mastic

Universally accepted


Sala delle Asse

Tempera on plaster

Universally accepted


The Virgin and Child with St. Anne

Oil on wood panel

Universally accepted


Mona Lisa

Oil on cottonwood (poplar) panel

Universally accepted


St. John the Baptist

Oil on walnut panel

Generally accepted



4. 2018年10月30日

B8d&e-LDV作品:这些不局限于绘画的列表。他们可能是任何设计,绘图,草图等归因于LDV。请提供您的选择文件,并提交您的名单。这将有助于保持比赛时间表,并验证您的选择作为LDV工作。



Clarifications for Problem No. 4

“Structure Toss”

Division I, II, III & IV

1
October 22, 2018
B4
– The Cost Limit :

The correct cost limit for this problem is $145 (U.S.), not $125.

2
October 30, 2018
F2 – Supported by one or more fans:
In this context, “fans” means enthusiastic spectators not participating in the game, not mechanical devices for moving air. Thus, one or more characters will be observably supporting a contestant.

3
October 30, 2018
C2 – Score Cross Bar and taped boundaries & Figure C:
The boundary lines are only a visual reference to help judges determine whether or not a structure has crossed over the Score Cross Bar entirely or partially between its endpoints. Structures are not required to land within the boundary lines but must cross above some point of the Score Cross Bar. For example, if a solid wall was placed directly above the Score Cross Bar the structure would have to impact it to be a successful toss.

4
October 30, 2018
F1 – Trash item:
The type of trash item must be something that is commonly discarded in its current form but is not allowed to be perishable (garbage). The trash item is a single item but the team is allowed to have many of the same items. The copies may vary in proportion but must be the same in construction and appearance.



题目4问题澄清

投掷结构

适合I, II, III 组和IV组

1. 2018年10月22日

成本限制:这个问题的正确成本限制是145美元(美国),而不是125美元。

2. 2018年10月30日

F2-由一个或多个粉丝支持:在这个上下文中,“粉丝”是指没有参与游戏的热情的观众,而不是用于移动空气的机械装置。因此,一个或多个角色将明显地支持一个参赛者。

3. 2018年10月30日,

C2——记分横杆和带状边界和图C:边界线只是一个视觉参考,以帮助判断一个结构是否已经完全或部分跨越了记分横杆的端点之间。结构不需要在边界线内着陆,但必须越过分数横杆的某个点。例如,如果将实心墙直接放置在分数横杆上方,则结构必须对其产生影响,才能成功抛掷。

4. 2018年10月30日

F1-废弃物品:废弃物品的类型必须是通常以当前形式丢弃但不允许易腐烂的东西(垃圾)。废弃项目是单个项目,但允许团队有许多相同的项目。复制件可以按比例变化,但在结构和外观上必须相同。



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